Saw all of the Fatty Arbuckle + Buster Keaton shorts.

They got better as they went on, but never to the point of genius. Usually ranged from "decent and harmless" to "JUST END ALREADY!". There's quite a lot of racism and misogyny, most notably in the "JUST END ALREADY!" category. The decent and harmless had some clever gags. Arbuckle can juggle knives like it's nothing.
As the shorts go on, Keaton's roles(s) get more prominent (I think it was his second short, he shows up for half a minute as a beggar. By the last short he's Arbuckle's sidekick.)
My favourites were The Bell Boy, The Cook, Back Stage and The Garage. (I didn't dislike Coney Island, it does have Keaton in a lifeguard outfit doing standing backflips and a very funny camera gag.)
Let's see what Ingmar Bergman film I'll watch now. Yesterday I saw Persona, which was good (don't ask me what it's about though).

They got better as they went on, but never to the point of genius. Usually ranged from "decent and harmless" to "JUST END ALREADY!". There's quite a lot of racism and misogyny, most notably in the "JUST END ALREADY!" category. The decent and harmless had some clever gags. Arbuckle can juggle knives like it's nothing.
As the shorts go on, Keaton's roles(s) get more prominent (I think it was his second short, he shows up for half a minute as a beggar. By the last short he's Arbuckle's sidekick.)
My favourites were The Bell Boy, The Cook, Back Stage and The Garage. (I didn't dislike Coney Island, it does have Keaton in a lifeguard outfit doing standing backflips and a very funny camera gag.)
Let's see what Ingmar Bergman film I'll watch now. Yesterday I saw Persona, which was good (don't ask me what it's about though).